All Johann Georg Ziesenis 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

Choice ID Image  Painting (From A to Z)       Details 
77517 Enkedronning Juliane Marie  Enkedronning Juliane Marie   Date 1766-1767 Medium Oil cyf
82393 Portrait of  Portrait of   from 1762(1762) until 1766(1766) Medium Oil on canvas cyf
85344 Portrait of Augusta Hanover  Portrait of Augusta Hanover   1762/5 (original) Medium Oil on canvas cyf
82848 Portrait of Carl August von Sachsen  Portrait of Carl August von Sachsen   1769(1769) Medium Oil cyf
80059 Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach  Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach   ca. 1776(1776) cjr
79027 Portrait of Princess Frederika Sophia Wilhelmina  Portrait of Princess Frederika Sophia Wilhelmina   1768-1769 Oil on canvas 140 x 101 cm (55.1 x 39.8 in) cjr
81991 Portrait of Princess Frederika Sophia Wilhelmina  Portrait of Princess Frederika Sophia Wilhelmina   Oil on canvas Dimensions 140 x 101 cm (55.1 x 39.8 in) cyf
84853 Portrait of Stadholder Willem V  Portrait of Stadholder Willem V   Date ca. 1768-1769 Medium Oil on canvas Dimensions 141 x 101 cm (55.5 x 39.8 in) cjr
88701 Portrait of Stadholder Willem V  Portrait of Stadholder Willem V   1768-1769 Medium Oil on canvas Dimensions 141 x 101 cm (55.5 x 39.8 in) cyf
88721 Portrait of Stadholder Willem V  Portrait of Stadholder Willem V   1768-1769 Medium Oil on canvas cyf
78143 State Portrait of Prince William V of Orange  State Portrait of Prince William V of Orange   Date 18th century (before 1776) Medium Oil on canvas Dimensions 113 x 91 cm (44.5 x 35.8 in) cyf

Johann Georg Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.



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